AEA RPQ500 500 Series Microphone Preamp #01436 (Used)

Description: Category 500 Series Modular Synth Keyboards Microphones Preamps Dynamics Equalizers Monitoring Computer Audio Interfaces Software Beat Production VINTAGE KING APPROVED This item has been carefully inspected, tested and serviced by our expert tech team. All vintage, used and open-box items we sell are backed by an industry-leading warranty. Expand your studio with confidence knowing that we have you covered. AEA RPQ500 500 Series Microphone Preamp #01436 (Used) The AEA RPQ500 500 Series module, designed after the successful RPQ preamp, provides the same ultra-clean, high-gain signal path that has earned AEA preamps their great reputation, but in a 500 series package. JFET circuit topology provides all the dynamics, subwoofer bass, and fast transients that your microphones can record. The NoLoad input impedance above 10K Ohms means the RPQ won’t load down a mic and change its sound. Low Energy Storage circuit design instantly recovers from overloads for superior dynamic performance. The original RPQ with CurveShaper was designed to fully capture every nuance of ribbon microphones: vintage or modern, passive or phantom powered. Engineers have discovered that the RPQ500 also complements their moving coil, condenser mics. By virtue of its sonic qualities and versatility, the VPR Alliance approved AEA RPQ500 is the tool of choice for all microphones whenever a true and pristine signal path is desired. TWO PEAS IN A POD: MUSICAL PREAMP, SWEET EQ The CurveShaper’s high-frequency filter boost enables you to add a little extra “presence” or “air” to your source. The circuit functions similarly to a conventional parametric shelving boost, but with a significant difference: the slope varies as both the CurveShaper and HF Gain controls are adjusted. This unique bell curve was designed with the intention to compensate for the high-frequency roll-off that is inherent to most ribbon microphones. But beyond ribbon mics, the smooth HF filter is remarkably well suited for brightening up condenser mics used at a distance, restore presence in overly “dry” acoustical environments, or even as a clean and transparent air-band boost on the 2-bus. The CurveShaper’s low-frequency control easily removes boxiness and boominess in a fast and unobtrusive way. Ribbon mics are capable of delivering strong subwoofer lows, and can have a significant bass proximity effect. Such strong low-frequency content can mask high-frequency intelligibility, so the tunable LF filter was engineered to tame low-frequency energy to appropriate levels. Its -20dB shelving curve is ideally suited to reduce excessive proximity effect, opening up new possibilities to use ribbon mics in close-up applications. YOUR SOUND AT YOUR FINGERTIPS With mixing consoles disappearing from control rooms, dedicated preamps can take on the role of providing a high-quality front end giving you intuitive control to make critical decisions during tracking rather than “fixing it in the mix”. The RPQ500 is a workhorse tool for your API 500 compatible rack. The Line/Mic switch bypasses the microphone gain stage and allows the EQ to be used for tracking with other preamps or during mixdown. Add the output level control, and the RPQ500 becomes a high-quality processing tool that can be used for mixing and mastering when combined with summing racks and mixers such as the Purple Audio Moiyn or the Roll Music Folcrom. FEATURES: One channel with 81 dB of sweet and quiet JFET gain for all mics High frequency CurveShaper EQ and low frequency proximity control Mic and line inputs for mixdown EQ versatility Switchable phantom power, polarity, line/mic, and EQ inserts NoLoad 10k Ohm high-impedance circuitry providing better overall transients, frequency response, and higher output sensitivity TECHNICAL DETAILS: Gain at 1 kHz: 81 dB of gain at 1kHz balanced-in to balanced-out in Microphone Input Mode Noise figure RMS A-weighted: Noise figure RMS unweighted: EIN: Frequency response: -3 dB 100 kHz THD: Input impedance: 10k Ohms Balanced line input impedance: 20k Ohms Input gain control: Twelve-position switch provides from +13 dB to +62 dB of gain for the preamplifier circuit, as measured between the input and the before the output line driver Switched LF shelving filter: -3 dB break-frequency tunable from 18 Hz to 360 Hz; maximum reduction -20 dB Switched CurveShape EQ: +3 dB break-frequency tunable from 2.5 kHz to 30 kHz; HF gain adjustable from +0 dB to +18 dB; the slope of the HF filter varies interactively and directly with the CurveShaper frequency and gain settings Color LEDs: Green, Yellow, Red XLR output maximum level into 600Ω load: +28 dBu, balanced; 0 dBu = 0.7746 V RMS XLR connectors polarity: Pin-1 is ground, pin-2 is high, pin-3 is low LED signal level indicators: Green snaps on at -6 dBu, red snaps on at +23 dBu, and yellow varies in brightness with level from -3 dBu to +20 dBu About Us Since 1993, we have been committed to equipping our customers with the very best gear, advice, and personal service anywhere. We believe that great sound can be achieved at any budget. We also believe that the ambitions of our customers should always come first. For us, it's about building long-lasting relationships, not just selling gear. And over the years, those beliefs have turned customers into friends and family. Whether you're just starting out, or a seasoned pro, we're here for you, no matter where your audio travels may take you. Shipping Policy Free ground shipping to the lower 48 states Via FedEx. All of our items ship via FedEx. On checkout, it may look like you are selecting a UPS shipping method, but the item will be shipped via the equivalent FedEx method. Import Duties and Tax Since import taxes and/or duties that your government might impose on products shipped from the United States may apply, you (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country. 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Price: 481.95 USD

Location: Ferndale, Michigan

End Time: 2024-11-15T15:38:49.000Z

Shipping Cost: 10 USD